Spotify Behind The Hits at Koko. April 5, 2011.

Winning tickets online through various websites is obviously all about luck. Enter an email address or retweet a message and you are in the draw for free tickets.

I rarely luck out when it comes to winning tickets online. The iTunes Festival has been a nightmare of frustration for the past two years. 62 dates spanning 2 months in total every July and I’ve never one tickets through them.

Of course, receiving free tickets for Foals and Two Door Cinema Club for the iTunes Festival last year does not count as I got it via Twitter directly from the band.

So when I heard about the Spotify Behind the Music event, I was not expecting winning tickets to the show but I signed up and hoped as one of my new band discoveries in the past month, The Naked and Famous was included in the line up.

Aside from The Naked and Famous, Delphic was headlining with Pony Pony Run Run supporting as well. A DJ set by La Roux was also mentioned.

The event was also in promotion of the new Nissan Juke which really looks like a joke.

Lo and behold, an email confirming winning 2 tickets for the event was waiting in my inbox a few days later.

I was beyond happy. The Naked and Famous only playing date in London for their tour is on May 20, which is the same date as an all-time favourite band’s show in London. This band is Taking Back Sunday and with tickets booked for this, a return to the original line-up and a new album coming up, it’s not one event I would want to miss either.

The closest gig The Naked and Famous is playing in aside from London is Oxford which is around 2 hours drive away. I was seriously considering purchasing tickets for this and driving up to Oxford to watch them.

Since the email included a plus one, I invited someone who arrived after the doors opened. At this point, the queue went all the way round the back of Koko, the longest I’ve seen at this venue, longer even than Jack’s Mannequin.

The place was quite packed already, so we decided to stay on the upper levels and stood by the stairs which provided us with a fantastic view of the stage. This isn’t normal for me at Koko, but it was more than welcome as the view was great.

If you are somewhat familiar with the bands on this bill, you’d notice a flavour with the music the bands play. All are bands which thrown in a bit of electro/synth but not in a overly excessive way.

The first support act was Pony Pony Run Run who according to their wikipedia entry are a French power pop band whose members are G, A, and T. Lovely. Indeed, they were pop-y but they put on a decent show. Adequate way to start the evening. Their live performance is way better than their actual recordings. They clearly put on a much better vibe and more energy on stage which is all good of course.

It’s been a few weeks since the event but as I’m listening to their songs on Spotify, I’m pretty sure the synths were toned down at the gig which gave way to some pretty neat guitar work.

As the event was sponsored by Nissan Juke, a huge screen on the stage dropped down during breaks and played loops of videos of the car and some behind the scenes recording with La Roux. Seeing the video the first time was ok, but after the xxth time, it turned out to be real annoying. Thankfully, having someone to talked to helped a lot.

Up next was the band I was looking forward to the most, The Naked And Famous.Their set was pretty standard pulling songs from their album Passive Me, Aggressive You. They started with Punching In A Dream and closed their set with their current biggest hit, Young Blood. Other songs thrown were All Of This, No Way, Eyes and Girls Like You. No surprise b-sides which could have been brilliant as Bells is a pretty catchy tune.

They sound brilliant on record but this show left much to be desired. As soon as they started, I knew something was a bit off. The male lead vocals seemed to be quite low and this sort of dumbed down the experience. Sure, most of their songs are female vocal heavy but the male vocals balanced this out and provided an excellent blend. This was most evident during Girls Like You which happens to be my favourite song from their album.

In short, I was slightly disappointed by their set and performance but this won’t stop me from seeing them again live if I have the chance. Maybe Oxford it is then.

Now it was time for a DJ set, a somewhat special one as it was La Roux who was spinning. Unfortunately, the next hour solidified my absolute disdain for DJ sets. I’m all for watching a band or someone perform on stage, but the wait for the next band was long and painful.

First of, we had the same video on repeat being shown on the huge white screen on the stage. La Roux was spinning on the DJ table which was on the side of the stage and not really visible to anyone. Had this table been placed in the middle of the stage or a video of her spinning tracks shown on the white screen instead, then things would have been mildly better.

Next, the music. I really don’t get club and dance music. Thrown in a band on stage actually performing on stage and I’m all for it. Watching a DJ spin tracks doesn’t do it for me. This night was worse due to the repeated blasts of video advertising of Spotify and the Nissan Juke.

I felt really sorry for my friend who was also not enjoying the experience. As the music was loud, this didn’t provide the atmosphere for conversation which could have distracted us.

At 11 in the evening, La Roux was FINALLY done with her DJ set and Delphic came up stage. I’ve been listening to them for quite sometime and could never really get into them. Their set at Koko was more of the same, it was fun and amusing to watch but I have nothing special to say. It was good to finally see them though, they’re still not a band I’d go out of my way just to see.

At least I get to tick them of my list of London-based bands that I should see since I live in London not that such a list even exists in the first place.

Their set included Halycon, Doubt, Clarion Call, Red Lights, and Counterpoint to mention a few which I can still remember.

The show finished closed to midnight which is unusual for gigs I go to especially since it was a Tuesday. Thankfully, I still made it to the last tube going north.

Overall, the evening was good enough for a free gig. With The Naked and Famous on the bill, I would have even paid for the show but I think I’d be quite disappointed if I had to shell out money for this one.

Apparently, this event was also Spotify’s first live streaming show and it’s always pretty cool to know you where part of something historic despite the hack Spotify announced a few days ago to Spotify users who have been around since they were invite only and in beta.

Since La Roux was part of the whole Behind The Hits campaign and was in the venue anyway, wouldn’t it have been better to have her perform instead? This would be leagues better than a DJ set. If this isn’t possible, then give us something better to watch/distract ourselves with as not everyone enjoys DJ sets.

Still, it was a good first live streaming event and I sure hope I’d be lucky enough to win tickets next time, provided that the lineup is equally as good without the DJ sets.

Glassjaw at The Forum. March 30, 2011.

Four years ago, I watched Glassjaw perform an iconic show at Brixton Academy on 7.7.7 (July 7, 2007). It was an amazing show.

On this gig four years ago, they mentioned work is being done on their already highly anticipated 3rd studio album. The last album, Worship And Tribute, was released almost a decade ago in 2002.

Four years later, there is still no news of it. Our Color Green EP was released earlier this year as a taste of songs they already had some of which where played back in 2007 at Brixton.

It is pretty much an understatement that fans are eagerly anticipating this album so when Glassjaw announced their show at The Forum, I immediately purchased tickets. It’s Glassjaw and it was on my day off so buying a ticket was a no-brainer.

To add, Glassjaw also mentioned that this show would be the launch of another EP called Coloring Book which would be handed out to attendees after the show.

Not that I would even miss the show in the first place, but it would be another landmark Glassjaw show which I would be a part of like Brixton on 7.7.7.

A taste of a new track, Gold, was streaming from their site for a month. Listening to the track was a magical experience.

Support for the evening was a death metal band called Napalm Death who hail from Birmingham and have been around almost as long as I have walked the face of this planet we call earth.

Despite the fact that they’ve been around forever, I’ve never heard of them before and most of this can be blamed on their genre. I’ve never been a death metal fan and their set, although entertaining to watch, didn’t really do anything for me. Decent, but not my cup of tea. Not by a mile.

The usual wait in between bands but Glassjaw came on stage soon enough.

This time there was no 4-5 minute intro with the lights dimmed and the band slowly building up the crowd.

Instead, they kicked off the evening right away with You Think You’re (John Fucking Lennon). It started out with much intensity which stayed at this level although the night.

Unfortunately, I was nursing a sprained wrist (which I still am 3 weeks after) so didn’t participate much with the crowd moshing, pushing and shoving. I tried to stand back and simply enjoy the brilliance which is Glassjaw.

Here’s the full setlist as once again, I’ve left this write-up in the cold for far too long. Again, it’s from Setlist.fm.

  • You Think You’re (John Fucking Lennon)
  • Tip Your Bartender
  • Mu Empire
  • Stars
  • Ape Dos Mil
  • The Gillette Calvalcade of Sports
  • Pink Roses
  • Jesus Glue
  • Natural Born Farmer
  • All Good Junkies Go To Heaven
  • El Mark
  • Convectuoso
  • Two Tabs of Mescaline
  • Siberian Kiss
  • Black Nurse (2nd set)
  • Gold (2nd set)
  • Vanilla Poltergeist Snake (2nd set)
  • Miracle In Inches (2nd set)
  • Stations Of The New Cross (2nd set)
  • Daytona White (2nd set)

As you notice, there was no Cosmopolitan Bloodloss which was quite a bummer. The first set was the creme of the crop when it comes to Glassjaw songs with songs from Our Color Green thrown in for good measure.

If I had to pick two other songs from the set as highlights, I’d go for Ape Dos Mil and All Good Junkies Go To Heaven.

Glassjaw left the stage after Siberian Kiss and of course, everyone chanted for an encore.

What we got was so much more than just an encore. Glassjaw came back on stage and played all 6 of their new songs from The Coloring Book EP in succession as listed on the EP.

Gold was pure brilliance and was magical to hear live. They ended the evening with Daytona White which is a great but somewhat slow song.

As it was new, nobody really new the song and there wasn’t much intensity to it. It’s not the kind of song you’d close an evening with.

The evening was great and Glassjaw was on top form. The new songs were absolutely perfect but they could have closed with a song which should have brought us to such a height and then just dropped. Cosmopolitan Bloodloss would have done this.

With the show over, I bought a shirt as my old 7.7.7. shirt was handed over to a friend in Manila. Trying to restrain myself from buying gig shirts as I already have a ton and they are quite expensive compared to Threadless shirts but this was a special night and it is Glassjaw.

As I walked out the door, a copy of The Coloring Book was handed over to me, a reminder of another historic night with Glassjaw, a band I’ve seen as many times as I’ve been back in London (FOUR).

Note: A quick search online (Amazon.co.uk, Amazon.com, and Glassjaw.com) seems to show that The Coloring Book EP is not available online. Ace!

Funeral For A Friend at The Garage. March 25, 2011.

There are bands whom I will never outgrow despite my gradual shift from post-hardcore to indie rock. If I were to listen to a new post-hardcore band, there’s a 90% chance I would not listen to them again.

Among them are Funeral For A Friend, Glassjaw, Saves The Day, Taking Back Sunday, and Thursday, all of which I’ll be seeing again this year which is one of the hundred reasons which make 2011 such an incredible year.

On the 25th of March it was time for Funeral For A Friend whom I’ve seen three times already, the best of which was their farewell show to Darren last year at Shepherd’s Bush Empire where they played Casually Dressed and Deep In Conversation in it’s entirety. This was such an amazing show but regrettably, I had seats so didn’t enjoy the mayhem.

The venue this time was Relentless Garage in Highbury and Islington, a venue I have not been to since the Witchita 10 year anniversary show with Los Campesinos!

First support was a band called Tiger Please whom I never heard off before but turned out to be pretty fun to watch. Neat tunes and good singing. The only thing which really bothered me was the vocalists ridiculously stupid hair which he had to part every few seconds from his face. It was distracting to say the least. Check the video for their song, Autumn Came The Fall to see what I mean.

Sadly, now that I’m listening to them again on Myspace, they remind me of Kings of Leon which is not a good thing. With that said, I’ll try to remember their name and listen to them more at some point.

Second support was a metalcore band (as per wikipedia entry) called Rise To Remain. To make things simple, I’m just going to say that I did not like them at all. I guess I’m too all for this kind of music. I’d continue to listen to screaming bands I’ve known since I was younger but I don’t think I can ever appreciate a new one at this point.

With a new record out in the last few weeks called Welcome Home Armageddon, one would expect Funeral For A Friend to open with a new song but they started the evening with Roses For The Dead. Again. I am pretty sure that in the 4 times I’ve seen them, they have started every show with Roses For The Dead. It’s not a bad song at all, as it’s really, really good but come one, a little variety would be lovely. Surprise us.

They followed this with another favourite, Rookie Of The Year before finally settling into a new song entitled Sixteen.

Here’s the setlist courtesy of Setlist.fm to make things easier for everyone as I really can’t write properly and it has already been an eternity since this gig.

  • Roses For The Dead
  • Rookie Of The Year
  • Sixteen
  • Juneau
  • Aftertaste
  • The End Of Nothing
  • Serpents In Solitude
  • Red Is The New Black
  • Damned If You Do, Dead If You Don’t
  • Monsters
  • History
  • Spinning Over The Island
  • Into Oblivion (Reunion) (encore)
  • Front Row Seats To The End Of The World (encore)
  • Escape Artists Never Die (encore)

As you may notice, only 5 songs come from the new record and the rest are crowd favourites spanning songs from their career. To note, there are no songs from Memory And Humanity which is probably their weakest album but hearing either Kicking and Screaming or Maybe I Am? would have been a treat.

The Garage is usually a sauna during gigs but this time, the venue was quite cool. I did avoid the moshpit which got a bit crazy.

Funeral For A Friend will always be a band I enjoy to see love, singing along to favourites such as Monsters, History, Juneau, etc. Gigs and bands like this get my heart racing and make me feel alive, and this evening, Funeral For a Friend didn’t disappoint.

With the last record, they sound as good as they did years ago despite changes in their lineup. It’s nice to see a band like them still go on and create music.