Funeral For A Friend at The Garage. March 25, 2011.

There are bands whom I will never outgrow despite my gradual shift from post-hardcore to indie rock. If I were to listen to a new post-hardcore band, there’s a 90% chance I would not listen to them again.

Among them are Funeral For A Friend, Glassjaw, Saves The Day, Taking Back Sunday, and Thursday, all of which I’ll be seeing again this year which is one of the hundred reasons which make 2011 such an incredible year.

On the 25th of March it was time for Funeral For A Friend whom I’ve seen three times already, the best of which was their farewell show to Darren last year at Shepherd’s Bush Empire where they played Casually Dressed and Deep In Conversation in it’s entirety. This was such an amazing show but regrettably, I had seats so didn’t enjoy the mayhem.

The venue this time was Relentless Garage in Highbury and Islington, a venue I have not been to since the Witchita 10 year anniversary show with Los Campesinos!

First support was a band called Tiger Please whom I never heard off before but turned out to be pretty fun to watch. Neat tunes and good singing. The only thing which really bothered me was the vocalists ridiculously stupid hair which he had to part every few seconds from his face. It was distracting to say the least. Check the video for their song, Autumn Came The Fall to see what I mean.

Sadly, now that I’m listening to them again on Myspace, they remind me of Kings of Leon which is not a good thing. With that said, I’ll try to remember their name and listen to them more at some point.

Second support was a metalcore band (as per wikipedia entry) called Rise To Remain. To make things simple, I’m just going to say that I did not like them at all. I guess I’m too all for this kind of music. I’d continue to listen to screaming bands I’ve known since I was younger but I don’t think I can ever appreciate a new one at this point.

With a new record out in the last few weeks called Welcome Home Armageddon, one would expect Funeral For A Friend to open with a new song but they started the evening with Roses For The Dead. Again. I am pretty sure that in the 4 times I’ve seen them, they have started every show with Roses For The Dead. It’s not a bad song at all, as it’s really, really good but come one, a little variety would be lovely. Surprise us.

They followed this with another favourite, Rookie Of The Year before finally settling into a new song entitled Sixteen.

Here’s the setlist courtesy of Setlist.fm to make things easier for everyone as I really can’t write properly and it has already been an eternity since this gig.

  • Roses For The Dead
  • Rookie Of The Year
  • Sixteen
  • Juneau
  • Aftertaste
  • The End Of Nothing
  • Serpents In Solitude
  • Red Is The New Black
  • Damned If You Do, Dead If You Don’t
  • Monsters
  • History
  • Spinning Over The Island
  • Into Oblivion (Reunion) (encore)
  • Front Row Seats To The End Of The World (encore)
  • Escape Artists Never Die (encore)

As you may notice, only 5 songs come from the new record and the rest are crowd favourites spanning songs from their career. To note, there are no songs from Memory And Humanity which is probably their weakest album but hearing either Kicking and Screaming or Maybe I Am? would have been a treat.

The Garage is usually a sauna during gigs but this time, the venue was quite cool. I did avoid the moshpit which got a bit crazy.

Funeral For A Friend will always be a band I enjoy to see love, singing along to favourites such as Monsters, History, Juneau, etc. Gigs and bands like this get my heart racing and make me feel alive, and this evening, Funeral For a Friend didn’t disappoint.

With the last record, they sound as good as they did years ago despite changes in their lineup. It’s nice to see a band like them still go on and create music.

Andy Burrows at Old Queen’s Head. March 23, 2011.

Andy Burrows is the former drummer of Razorlight who left the band to start his own solo act which was initially called I Am Arrows.

Had the fantastic opportunity to see him live back when he supported Muse at Wembley Stadium last year and despite the size of the venue, they were able to fill up the venue quite well.

When I noticed the Indie meetup group announcing his show at Old Queen’s Head, I decided it would be nice to see the band again especially in a venue 1000 times smaller than Wembley Stadium. I enjoyed the company of the Indie meetup group, so decided to tag along with them yet again.

Oddly enough, I was unable to find the gig listing on Last.fm as I Am Arrows but it as it was listed as Andy Burrows. Apparently, at some point, he decided to call the band under his name again despite retaining the same members.

Met up with the group at the downstairs bar of Old Queen’s Head and once we were a sizable group of around 5-6 people, we moved upstairs and were lucky enough to get seats.

Interesting conversations with lovely people, a couple of which kept on raving about how amazing Funeral Party was when they played in Camden a few days before. Got my tickets to see them in May but have at this point, haven’t really listened to them properly. At the time of this writing, they are one of my favourite bands along with The Naked And Famous.

Support for the evening was Seye who was surprisingly amazing. His voice was quite elegant, the acoustic guitar playing was fitting to his voice. Played a few songs only but was quite fantastic. He was helped out by his friend Marcel for additional guitars and vocals.

It really good fun watching a gig in a group as it burns the time in between acts. More discussions about festivals and bands over pints of beer.

Andy Burrows walked on stage and started covering some songs which he said was his way of easing into things. Before he started though, he was looking for a guitar capo. After about 15 seconds, he noticed it was clipped to the head of the guitar. It was amusing.

The rest of his band came up on stage after a couple of cover songs.

The band played songs from their album Sun Comes Up Again including Nun, Green Grass, Another Picture of You, Hurricane, and Nice Try as well as a few new songs.

In all seriousness, their set was quite a mess. Andy seemed to be on something that night or may have had a few drinks to many and too early. There was the capo story, then playing the guitar intro for a song but not knowing the lyrics to the song, being unable to tune the guitar, etc.

It did turn out to be very hilarious as everyone was just laughing it up. Andy provided some comic relief while things were going awry in the background. It was a small venue at a gig and nobody was there to see a serious set from a band but rather have a fun evening.

When they eventually got their act together and started playing, everything got serious and their music filled the room with some people singing along.

It was a completely different experience compared to the last time I saw them. At Wembley Stadium, they were supporting one of the biggest bands in the world at the moment and most fans hardly knew them. They needed to play a set which was well rehearsed and professional which they were more than able to pull off.

At Old Queen’s Head, they had the chance to simply be themselves and play their songs to people who simply enjoy an evening of good music. I do think Andy may have gone a bit too far with it though. Still, incredibly fun.

In comparison, Seye played a more professional and well-rehearsed set.

Unlike all the other 90+ gigs I’ve been to, I stayed with a few people from the meetup group for a drink after the gig finished. Lovely conversations and plans to go to Camden Crawl and Stag & Dagger Festival. Been longing to go for years now and have finally found people to go with. As such, tickets have now been booked.

The Decemberists at Hammersmith Apollo. March 16, 2011.

The Decemberists recently came out with a new album entitled The King Is Dead which is quite brilliant, catchy and very similar to their old material which is very good.

I had the chance of seeing The Decemberists at HMV Forum a few years ago right after the release of The Hazards of Love. This was back in November 18, 2009 which was during the Internet blackout at our new place and gigs piled up one after the other such as Deftones, Mew, Muse, etc.

For that show, they played two sets, the first of which was The Hazards of Love in it’s entirety and this was quite a memorable experience. The second set was composed of a mix from all their other albums at the time but sadly, no The Mariner’s Revenge Song. As mentioned by someone in the crowd while I was leaving, you haven’t really experienced The Decemberists until you’ve seen them perform The Mariner’s Revenge Song.

With this in mind as well as a new album and the fact that the gig was again on my day off, I didn’t think twice about purchasing tickets as soon as the gig was announced.

The venue for this evening is a popular London music venue which surprisingly, I’ve never been too. It’s the Apollo Hammersmith, also known by it’s sponsors name, HMV Apollo.

Size-wise, Apollo Hammersmith is around the same size as of Brixton Academy. One can actually make a direct comparison between the two since they have almost the same layout including a slight gradient on the floor which made viewing the stage so much easier. Compared to Brixton though, it just seemed and felt a little bit dirtier. Weird. When it comes to acoustics though, I have to say it blows Brixton Academy out of the water.

Support for the evening was Blind Pilot who are also an indie folk band from Portland, Oregon similar to The Decemberists. Their sound was quite different though since they used less instruments but they pulled of an imaginative set. They put on a very enjoyable set and were perfect in setting up the atmosphere for the headlining band. If you have to listen to just one song from them, try 3 Rounds And A Sound.

Having a support band this time was a welcome option as there was none at The Forum as The Decemberists played two sets anyway.

Bands with a new record released normally start the show with a a new song from the new record. For The Decemberists first song, they dug real deep and played Shiny which is from the very early 5 Songs EP.

A nice change to hook in longtime fans first as I’ve sometimes found new songs as opening numbers as a bit alienating at times. After the first song, they moved on to a trifecta of The King Is Dead tunes with Down By The Water, Calamity Song and Rise To Me.

Here’s the full setlist from the evening to simplify things. Again, from Setlist.fm.

  • Shiny
  • Down By The Water
  • Calamity Song
  • Rise to Me
  • We Both Go Down Together
  • The Bagman’s Gambit
  • Won’t Want for Love
  • An Interlude
  • The Crane Wife 1 and 2
  • The Crane Wife 3
  • The Rake’s Song
  • Don’t Carry it All
  • Rox in the Box
  • This is Why We Fight
  • Sixteen Military Wives
  • The Hazards of Love 4 (encore 1)
  • The Mariner’s Revenge Song (encore 1)
  • June Hymn (encore 2)

The band had Sara Watkins on tour with them providing violin and vocals as Becky (Hazards of Love) was no longer around. Her singing voice was first put to the test on Won’t Want For Love and I have to say, she did a pretty good job.

Playing The Crane Wife 1 and 2 followed by The Crane Wife 3 was a simply lovely. As the title suggests, the two songs go hand in hand and deserve to be played in succession.

The energy in the crowd spiked during songs such as We Both Go Down Together, The Rake’s Song, and Rox in the Box.

Prior to starting this evening, I had my mind set that I’d be happy if they played This Is Why We Fight and/or The Mariner’s Revenge Song. This Is Why We Fight is such a lovely song and it easily became my favourite song from The King Is Dead. So when they started playing the song, I almost couldn’t contain my excitement. If I get my act together, this would be one of the first songs I’d learn playing on a guitar.

The last time I saw them, I remember the interactivity between the band (mostly Colin) and the crowd. At The Forum, he asked everyone to go quiet, sit down and slowly stand up at his command. It was a wonderful experience.

It was during the song Sixteen Military Wives and a similar thing happened here at the Apollo. We did the “la-di-dah” part over and over again. Colin had everyone gradually soften the singing close to making it a whisper and then slowly making it louder. Even though the song dragged on for quite sometime, it was ridiculously good fun.

The Decemberists left the stage but of course came back for an encore which started of with The Hazards of Love 4, a nice and slow song. Before proceeding with the next song, further instructions to the crowd where given with the help of Chris Funk as audience participation was needed for the next song. This involved screaming like being eaten by a whale. Of course, everyone knew that the next song would be The Mariner’s Revenge Song much to my delight yet again. I’m plenty sure I wasn’t the only one who felt the excitement and joy at this moment.

When the whale part eventually came, everyone really did scream. It was way fun watching members of the band acting out the song on stage. The Mariner’s Revenge Songs is simply one of those epic songs with a lovely story as well.

At this point, I was more than just satisfied with the incredible set The Decemberists put on but the band came back on stage for another song, June Hymn which is also from The King Is Dead.

This evening, like the other Decemberist show, was another memorable experience. It is truly amazing seeing such a talented band onstage and completely enjoying themselves and drawing the crowd into the performance.

Two Door Cinema Club at Roundhouse. March 12, 2011.

6.

That’s the number of times I’ve seen Two Door Cinema Club perform live which is the most for any band since I moved back to London.

Thrice as support for Foals (2x) and Phoenix. Thrice headlining their own show starting at a small venue, Hoxton Square Bar, then moving up to Shepherd’s Bush Empire.

On March 12, I saw them at Roundhouse for their biggest headlining show to date. It’s amazing how far they’ve reached in just a year.

For support bands this evening, they choose bands whom they quite admired and this was quite a marvelous surprise. It’s been quite sometime since I’ve totally marveled at support bands whom I’ve never heard before and this night introduced me to two fantastic ones.

The first support band was called Dry the River and they sounded heavenly. Their music is described as indie, gospel, and folk. I quite enjoyed their music, the guitars, violin and the singing all blended pretty well. It was a very interesting set from this new band.

For the second support band, close to 20 people came up on stage. 2-0. That’s a lot of people on a stage for a band but the stage in Roundhouse was just about to handle them all. Around 10 were back up singers which is a bit unnecessary in my opinion. It’s somewhat like having every friend you have in the band just for kicks.

With that said, these guys put on an incredible show worthy of a headlining act. The band is called I’m From Barcelona (Fawlty Towers reference) whose members are actually from Sweden. According to their online biography, 29 people collectively worked on their records. 2-9. Insanity. The actual number of people on tour depends on who is available.

Despite the sheer number of members in the band, I’m From Barcelona put on an incredibly enjoyable set. Their music is a bit catchy and pop worthy which added to the fun. The choreographed moves while they sang Treehouse was more than amusing.

The experience of seeing them live is comparable to the first time I saw Broken Social Scene live. BSS has considerably less members than I’m From Barcelona. I highly recommend visiting their Myspace page and listening to their music. Youtube provides a lovely perspective of how insane they can get on stage yet produce quality music.

That was quite a write-up for a support band who has been around longer than the headliner. No wonder TDCC admired them.

On to the headliners then. After seeing them 5 times already with no new albums yet, I knew more or less what to expect. This didn’t water down the experience though.

What ruined the evening for me was the crowd. For some reason, the popularity of TDCC has continued to attract a significantly bad crowd. During their show at Shepherd’s Bush, a lot where young kids who thankfully behaved themselves a little. This evening, there were those who I’d call asbos, so rowdy and picking fights. It was horrible and I tried hard to stay out of their stupid circle pits of death.

There is no setlist on Setlist.fm for the Roundhouse show but it is comparable to this one from Barrowlands, Scotland.

With one album released so far, Tourist History, most of the songs from this album were performed with a few new ones thrown in for good measure.

For probably the 5 time, they started their show with Cigarettes in the Theatre and closed with I Can Talk which is not bad, just predictable. The rest is just a blur now.

This show was simply the best show they’ve put on which marks how far they’ve gone. When I saw them at Hoxton, the drummer was just included in the live line-up and things turned a bit awkward. Now, you can clearly hear and feel that they are one band. You can hardly hear the beat machine anymore, that is if one is still used.

Save for the ridiculously rowdy crowd, I enjoyed this show as much as all the other times I’ve seen them.

Unfortunately, this maybe the last time I see them especially if they play at a larger venue like Brixton. Of course, this would change if they release a new album and do a tour for that. Or play at a smaller, more intimate venue.

Cut Copy at HMV Forum. March 6, 2011.

Not entirely sure how Cut Copy found itself in my music reason but there it was with a few plays alongside.

When I noticed the show at The Forum being for sale, I checked my calendar, noticed it was a day off from work, and immediately purchased a ticket. This immediate purchase of tickets for almost any band I’ve remotely heard about which falls on my day off is starting to be a disturbing trend.

A few weeks before the show I was starting to wonder why I had tickets to their show. A few listens to their new album, Zonoscope, convinced me that this would be quite an interesting and fun show especially with my recent liking of electronic music.

HMV Forum is more than just a familiar venue now. Prior to gig starting, I recalled my previous experiences at the venue which included shows by Bloc Party, Deftones, Coheed and Cambria, Broken Social Scene, Wolf ParadeFriendly Fires, and of course the NYE party with Foals. Saying it’s a memorable venue is quite an understatement now.

Support for the evening was Holy Ghost!, another electronic band much in the same veins as of Cut Copy. This was one of the few occasions wherein the support act was in the same genre as the headliner. Their set was pretty impressive and provided just the right reinforcement and buildup to the main act.

In recent gigs, I’ve noticed an influx of synth-based/electro music and simply categorise them as good and bad. Holy Ghost! falls in the good side of things.

During the break, one would clearly notice a huge white door in the middle of the stage. Now that I think about it, it sort of reminds me of the doors which pop up in random places in the BBC show Being Human. It was just there, smack in the middle, which led to questions as to what the hell it was for.

The lights then dimmed to indicate the few seconds before the band members walk on stage. Frontman Dan Whitford walked through the door which proved it was a functional door with hinges. During the set, the door’s white surface was used as a screen for some vivid images.

Here’s the full setlist again from Setlist.fm.

  • Nobody Lost, Nobody Found
  • Where I’m Going
  • So Haunted
  • Corner of the Sky
  • Lights & Music
  • Take Me Over
  • Pharaohs & Pyramids
  • Saturdays
  • Hearts on Fire
  • Sun God
  • Need You Now
  • Out There on the Ice

Opening the evening with an older song, Nobody Lost, Nobody Found, was pretty adequate and sufficiently set up the evening.

As their new album Zonoscope was released only a few weeks before this gig, half of the songs from their set where from this album. Older songs from their two previous albums, In Ghost Colours and Bright Like Neon Love, were thrown in the mix to create a nice amalgam which almost had a continuous beat, flow and tempo.

Highlights of the evening were Lights & Music, Hearts On Fire, and their encore which consisted of Need You Now and Out There On The Ice.

Every song in their set fit perfectly and the end result was one incredible evening. One song just flowed flawlessly to the next.

The crowd was fairly decent as well. Only some light dancing and no mindless moshing from kids. Bands like this draw crowds who knows and appreciates their music well.

Despite having doubts as to why I initially purchased tickets for the show, I had such a great evening watching these guys perform. Their music was put together so well and they simply sounded so great live.

It’s nice to have a band like them around which for older people, bring back memories of New Order and the 1980s. I was too young back then, so this gives me a chance to travel to time and sort of experience things back then.

I doubt I’ll go out of my way to see them again live but if they do play a show in London again which falls on my day off, I might just see them again.